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Description

Summer or Wood Duck, Anas Sponsa, drawn by John James Audubon and chromolithographed by Julius Bien in New York in 1860, provides an evocative rendering of these ducks in their natural habitat, perched on a Button Wood Tree (an antiquated term for the American Sycamore, based on its previous use in button-making). This work captures four distinct postures of the ducks, two males, and two females, with one female prominently nestled on a bed of downy feathers in the lower right.

J. J. Audubon's contributions to ornithological illustration in the 19th century are evident in his works' precision and observational accuracy. In this particular illustration, the careful positioning of the ducks, alongside the Sycamore and the Resurrection Fern-crowned nest, offers a clear and comprehensive view of the species in their natural environment.

The layered development of the base watercolor composition, spanning from 1821 to 1825, indicates Audubon's iterative approach to his work. Notably, the decision to excise a previously painted flying male and then reintegrate it into the final piece exemplifies his dynamic approach to composition.

With Summer or Wood Duck, Anas Sponsa, Audubon provides a measured and clear representation, emphasizing both the subject's specific attributes and their broader ecological context.

Birds of America: The Bien Edition

The legacy of John James Audubon's Birds of America is one of unbridled passion for ornithology and artistry, a blend of meticulous observation with artistic flair. While the original "Double Elephant Folio" edition is justifiably celebrated for its monumental contribution to ornithology and fine art printing, it is the lesser-known Bien Edition that stands as an equally impressive testament to the evolution of printing technology and the continued appreciation of Audubon’s work.

Condition Description
Backed on archival tissue. Minor repairs to small tears and chips in the margins. Color retouched.
Reference
Susanne M. Low, A Guide to Audubon's Birds of America, page 125.
John James Audubon Biography

John James Audubon (1785-1851), born Jean-Jacques Rabin in Haiti on April 26, 1785, was a Franco-American ornithologist, naturalist, and painter, celebrated for his detailed illustrations of North American birds in their natural habitats. His major work, a color-plate book titled The Birds of America, is considered one of the finest ornithological works ever produced.

Audubon's early years were shaped by tumultuous events. Born out of wedlock in the French Caribbean colony of Saint-Domingue (now Haiti) to a Creole mother and a French sea captain, he was smuggled to Nantes, France, during a slave rebellion. There, he was adopted by his father and stepmother and raised as their own. His childhood in France was filled with outdoor adventures and initial forays into drawing.

In 1803, to avoid conscription into Napoleon's army, he was sent to America, where he managed one of his father's estates near Philadelphia. This move further kindled his profound interest in the wildlife of the New World. Despite a few failed business ventures and challenges, Audubon remained committed to his passion for nature and art.

His dream to document all of the birds of America began to take form in the 1810s. Travelling through America's wilderness, Audubon observed, hunted, and painted birds. He developed a particular technique that involved wiring freshly killed birds into a natural pose on a board. This innovative method combined with his keen observation allowed him to create more lifelike illustrations than many of his contemporaries.

Failing to secure American subscribers or a publisher for his extensive collection, Audubon traveled to the United Kingdom in 1826. There, The Birds of America was met with critical acclaim. Between 1827 and 1838, this work was published in sections, comprising 435 hand-colored, life-sized prints made from engraved plates.

Audubon followed this success with a companion work, Ornithological Biography, which provided detailed narratives about each species. His later work included studies of American mammals, and he became one of the founding members of the New-York Historical Society.

Despite facing numerous challenges throughout his life, including financial hardships and criticism from some peers, Audubon's dedication to his work resulted in an invaluable contribution to ornithology and American art. He died on January 27, 1851, in New York City. Today, his legacy continues, notably through the National Audubon Society, which promotes conservation and appreciation of birds and their habitats.