The original large separately issued engraving view depicting Cook's death at the hands of the native Hawaiians, based upon an original drawing by John Webber. Copies of this engraving were not originally bound official account of Cook's third voyage and were only available by separate purchase, making the image much rarer than the official account.
Cook's death in Hawaii is one of the iconic images of the 18th Century. Reproduced on numerous occasions, this is the original engraving from which most depictions of his death are taken. James Cook was killed in Hawaii on February 14, 1779. He and his men had spent the two months on the Big Island and been well received. They departed in early February 1779 but returned due to storms and the need for ship repairs. The second reception turned hostile, and tensions between the sailors and the natives increased. When Cook went ashore to investigate, a scuffle occurred and Cook was killed.
Conflicting accounts regarding Cook's death circulated, as there was some confusion over whether Cook was facing the Hawaiians and whether he had ordered his men to shoot at the islanders. Lieutenant James King, who was on the voyage but did not witness the incident, reported that "it was remarked that while he faced the natives, none of them had offered him any violence, but that having turned about, to give his orders to the boats, he was stabbed in the back, and fell with his face into the water."
In Bartolozzi and Byrn'es engraving, Cook is situated slightly to the right of center and stands out as he is represented in lighter tones than the other sailors and natives. He faces his men and, while armed with a rifle, has his back to the islanders. The Hawaiian directly behind Cook is armed and is about to attack him. The figures were engraved by Bartolozzi and the landscape by Byrne, after a drawing by the official artist of Cook's third voyage, John Webber. It was published in London by Webber and Byrne in 1784.
Bartolozzi went to Venice to pursue his interest in engraving, eventually becoming an expert in the technique of stipple engraving. He arrived in London in 1764 where he was styled "Engraver to the King." Remaining in London for the next forty years Bartolozzi was a member of the Royal Academy.