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Fine Map of the African Continent, Based on the First Modern Map of Africa

Nice example of Heinrich Bunting's scarce map of Africa, from his Itinerarium Sacræ Scripturæ. It is based on the first modern map of Africa, which featured in Sebastian Münster’s Geographia (1540) and Cosmographia (1544).

The map shows the entire continent along with the Sinai Peninsula, part of the Arabian Peninsula, and the southern edge of the Iberian Peninsula. Several large cities are marked with clusters of European-style buildings, including church steeples. Rolling mountain ranges break up the interior, along with massive rivers.

The largest of these is of course the Nile River. It flows from the southern interior of the continent to the north. Following the Ptolemaic model that was also used in Münster’s earlier map, the Nile originates in the Montes Lunae, or the Mountains of the Moon. Bunting also locates Prester John’s kingdom near the Mountains of the Moon.

One of the most distinct toponyms is Elephantophagi, near what is today the Congo. This refers to a tribe discussed by Strabo and Pliny who supposedly hunted and ate elephants and traded their hides and tusks across Africa.

At sea, the water is carved in aesthetically pleasing zig-zag lines. A large ship is joined by a merman and a swan.

The cartography of Africa to ca. 1570

Medieval mapping of the African continent was tied to the Christian worldview. Traditionally, the known world of Antiquity, which included the north of Africa, Asia, and Europe, was arranged symbolically in what is known as a T-O map. Such world images were common in Medieval manuscripts and they show the three landmasses in a T shape with an O, the ocean, surrounding them. The T-O maps are east-oriented—Paradise and Eden were supposedly located to the east—and some have Jerusalem at their center. Europe is in the bottom left corner and Africa the bottom right.

Over the course of the Medieval period, mappaemundi on the T-O model were increasingly stuffed with new place names and features, particularly those mentioned in the popular travel narratives of Marco Polo and Sir John Mandeville.

From roughly 1200, portolan charts showed increasing portions of the African coast. Meant for maritime navigation, these charts contained little to no information about the interior of the continent. They did, however, reflect the advancement of European, particularly Portuguese ships south along on the west coast of Africa. The culmination of these voyages was in 1498, when Vasco da Gama rounded the Cape of Good Hope and reached the Indian subcontinent.

Da Gama’s forging of an all-water route to India was particularly illuminating when compared with the prevailing geographic theories of the day, which were dominated by work of the second-century AD Alexandrian scholar, Claudius Ptolemy. Ptolemy postulated in his famous work, Geographia, that the Indian Ocean was enclosed by land which stretched from the south of Africa to southeast Asia. Early modern scholars were already questioning Ptolemy, however, even before da Gama reached India. For example, the Fra Mauro map has a peninsular southern Africa with a waterway flowing around it.

Early printed editions of Ptolemy—the first with maps was printed in 1477 in Bologna—would increasingly include tabula nova, or new maps, which supplemented Ptolemy’s ideas with more modern observations. The first edition to include the Portuguese discoveries in Africa was the Rome edition of 1508. The first surviving printed map to include the discoveries was the earlier Contarini-Roselli world map of 1506, the only surviving example of which is at the British Library.

Martin Waldseemüller’s 1507 world map, the sole example of which is now at the Library of Congress, also shows the revised version of the continent. Additionally, Waldseemüller included the new discoveries in his Africa maps for an edition of Ptolemy published in 1513. The first modern map of the entire African continent was in Sebastian Münster’s edition of the Geographia published in 1540 (and his Cosmographia of 1544). After Münster, Ortelius’ 1570 map was the first widely-distributed map of the continent and it would popularize the ideas of Giacomo Gastaldi, his main source. It also inspired other maps, like the second map of Africa included in later editions of the Cosmographia.

Gastaldi lived in Venice and had collaborated with Ramusio on his famous travel collection, which gave Gastaldi access to the latest geographic knowledge. In his important, yet not widely distributed, 1564 map of Africa, Gastaldi corrected the southwest coast, which was typically sloped too steeply. He also introduced a novel depiction of the sources of Africa’s rivers. Finally, he drastically increased the number of place names included: 655 names along the coast and a whopping 1200 in the interior.

Ortelius and those who followed him retained many of these place names, although he shifted some to new locations. In some cases, as with the names of lakes, he largely used his own names. He also scaled down the level of ornamentation and decoration drastically as compared to the 1564 map. Ortelius also corrected Gastaldi by narrowing the point of the Cape of Good Hope and reduced the extension of the continent to the east. These adjustments made Ortelius’ map far closer to the actual east-west, north-south size of the continent; it was the most accurate map of Africa to date.

The cartography of Central Africa and the source of the Nile

The innovative depiction of the African river systems in Gastaldi and Ortelius are notable for their divergence from previous models and for their importance as a model for future mapmakers. Typically, mapmakers thought the Nile River rose from twin lakes south of the equator, which were near the Mountains of the Moon. Streams from the mountains fed the lakes. Ptolemy describes such a lakes-and -mountains layout in his works, although the precise identification of the Mountains of the Moon may have been a fourth century addition to his text.

Sixteenth century mapmakers, including Waldseemüller and Münster, chose to follow the Ptolemaic model. This was typical of cartographers at the time, who had abandoned Ptolemy’s coastlines in favor of the more recent Portuguese outlines yet who also clung to Ptolemaic place names for the interior of Africa well into the nineteenth century.

Gastaldi, most likely thanks to sources he read via Ramusio, chose to abandon the Mountains of the Moon entirely. Instead, he drew a massive central lake from which flows the Nile, Zaire (Congo), Cuama (Zambezi), and Spirito Sancto (Limpopo) Rivers. To the east is another, smaller lake at roughly the same latitude, which also feeds part of the Nile. Therefore, Gastaldi created an entirely different view of the interior of Central Africa, while still embracing Ptolemy’s twin lakes theory.

Condition Description
Minor soiling.
Wulf Bodenstein, Exploring Africa with Ancient Maps (Brussels: Royal Museum for Central Africa, 2017); Norwich 17; not listed in Tooley. KAP
Heinrich Bunting Biography

Henrich Bunting was a Protestant theologian and teacher born in Hanover, in what is now Germany. He attended the University of Wittenberg and graduated in 1569. He then began work as a preacher but caused some controversy with his teachings; he was dismissed from appointments in both Lemgo and Goslar.

He is best known today for his book, Itinerarium Sacrae Scripturae (Travel book through Holy Scripture), a travel collection and commentary of the geography of the Bible. The book provided the most complete summary of biblical geography then available and described the Holy Land by following the travels of various notable people from the Old and New Testaments. First published in Madgeburg in 1581, Itinerarium Sacrae Scripturae was a very popular book for the time. Over 60 editions were published between 1581 and 1757.  

A particularly notable feature of the book were its many woodcut maps, many of them showing unique depictions of geographic features and continents. In addition to the conventional maps, the book also contained three figurative maps; the world depicted using a cloverleaf design (thought to possibly represent the Trinity with Jerusalem in the center), Europe in the form of a crowned and robed woman, and Asia as the winged horse Pegasus.