Following Nolli's Rome
An intricately detailed topographical map of Rome, "Plan Topographique de Rome Moderne Avec les chagemens et Accroissemens nouveau Publie Par Pl. Letarouilly Architecte" was published in 1841 by Paul Letarouilly, a renowned architect of the period. This detailed map captures Rome's architectural grandeur, seamlessly interweaving its ancient relics with its modern landmarks.
The map presents a historical tapestry of Rome, enriched with precise depictions of both the city's grandiose ancient and contemporary edifices. Letarouilly, a student of the eminent architects Charles Percier and Pierre-François-Léonard Fontaine, was celebrated for his intricate architectural renderings. His attention to precision is evident in the complex craftsmanship of this map. The topography of Rome, engraved by Delsol, is surrounded by vignettes of Ancient Rome, mirroring the style of Giambattista Nolli's map from 1748.
The well-executed design and creation process behind this map enhances its overall allure. The architecture was engraved by Huguenet Lepetit, the plan by P. Roulier, and the lettering by Hacq. Further enhancing the map's rich detail, the water bodies were engraved by Roulard and figures were contributed by Blanchard. This interdisciplinary, collaborative process underlines the work's complexity and the high level of artistry involved in its creation.
Letarouilly's trip to Italy in 1820 profoundly influenced his work, leading to the creation of "Modern edifices de Rome: ou recueil des palais, maisons, Eglises, couvents, et autres monuments publics et particuliers les plus remarquables de la ville de Rome." This work, published between 1840 and 1855, offers a compelling visual narrative of Rome's architectural heritage. The map, being a part of this larger work, serves as a significant historical document, offering nuanced insights into the city's evolution through the centuries.
Rich in detail and historical significance, this map encapsulates Paul Letarouilly's dedication to architectural precision and his profound admiration for Rome's rich architectural heritage. This piece serves as an important scholarly resource, providing a distinct window into the intertwined ancient and modern landscapes of Rome in the mid-19th century.