Life-Size 1873 Photograph of the Fra Mauro Map of the World.
Seven-foot by seven-foot photograph of the ca. 1450 Fra Mauro Mappamundi, the greatest medieval map of the world, published by Carlo Naya in Venice in 1873.
This life-size photograph of the Fra Mauro map of the world is an astonishing accomplishment of art history, cartography, and photography. At the time it was produced, it was called the largest photograph ever made. The Naya Fra Mauro belongs to a class of colossal early photographs that counts among its ranks Edward Muybridge's 1878 13-sheet panorama of San Francisco and George R. Lawrence's 1899 photograph of the Alton Limited on an 8 x 4.5-foot glass plate.
Naya's Fra Mauro also seems to be the first large format map produced with photography.
The Fra Mauro Map
The Fra Mauro map is "considered the greatest memorial of medieval cartography" (Almagià 1944). It took years to complete and was expensive to produce. The map contains hundreds of detailed illustrations and more than 3000 descriptive texts. It was the most detailed and accurate representation of the world that had been produced up until that time. As such, the Fra Mauro map is considered one of the most important works in the history of cartography. It marks the end of Bible-based geography in Europe and the beginning of embracing a more scientific way of making maps, placing accuracy ahead of religious or traditional beliefs. In a sense the Mauro map is the anti-Mercator projection map; Africa is at the top of the map, and Europe is at the bottom. In terms of square-footage, Africa and Asia dominate the image.
The map embodies the breadth of knowledge that was known to Medieval mapmakers and explorers. Interestingly, much of the novel information present on the map was lost to early modern cartographers when printed Ptolemy atlases proliferated in the last decades of the 15th century, replacing the manuscript Mappa Mundi tradition. The Fra Mauro map includes, among other items, the following important cartographic information:
- The Indian Ocean is shown "open", with a sea transit below southern Africa connecting it with the Atlantic. This was not rediscovered until Vasco da Gama's 1497-'99 sea voyage to India.
- The Indian Ocean likewise connects to the Pacific Ocean.
- Madagascar is possibly shown and labeled "DIAB". The first official record of a European seeing Madagascar was Diogo Dias in 1500.
- A large river is shown stretching far into the interior in southern Africa, possibly representing the Zambezi. The river is labeled: "flume xebe"
- The Tigris, Indus, Ganges, Yellow, and Yangtze Rivers are depicted.
- Japan is shown "Ixola de cimpagu". This is the first known Western depiction of Japan.
- The Korean Peninsula is illustrated.
Ironically, though Fra Mauro was superseded by Ptolemy at the end of the 15th century, he wrote on the map about the ways in which he was improving upon what Ptolemy had done more than 1000 years earlier:
I do not think it derogatory to Ptolemy if I do not follow his Cosmografia, because, to have observed his meridians or parallels or degrees, it would be necessary in respect to the setting out of the known parts of this circumference, to leave out many provinces not mentioned by Ptolemy. But principally in latitude, that is from south to north, he has much terra incognita, because in his time it was unknown.
The notes on the map provide a wealth of information about geographical knowledge in the 15th century. A typical note, in this case for England, is translated to English as:
Note that in ancient times Anglia [England] was inhabited by giants, but some Trojans who had survived the slaughter of Troy came to this island, fought its inhabitants and defeated them; after their prince, Brutus, it was named Britannia. But later the Saxons and the Germans conquered it, and after one of their queens, Angela, called it Anglia. And these peoples were converted to the Faith by means of St. Gregory the pope, who sent them a bishop called Augustine.
Today the Fra Mauro Map is held in the Museo Corer in Venice. An impressive manuscript facsimile was made in 1804 by British cartographer and antiquarian William Frazer. That map is now in the British Library. We have also handled a small 18th century engraved facsimile of the Fra Mauro.
The Carlo Naya Studio
Carlo ("Charles") Naya (1816 – 1882) was an Italian photographer known for his pictures of Venice including its works of art and views of the city.
Naya had inherited a substantial fortune from his father and initially used it to fund a 15-year Grand Tour in the traditional sense: he traveled Europe and the Mediterranean in search of artistic treasures. He settled in Venice when he was 40 years old, in 1856. It should come as little surprise that he chose to open a photography studio specifically catering to other Grand Tourists who wished to take away mementos of Venice's spectacular art and architecture.
In the 1880s the firm was still advertising the facsimile, the pride of the company, as follows:
Fac-simile of the Mappamondo of FRA MAURO A.D. 1459 | the largest photograph hitherto made (a square 7 Ft. 4 inch,).
Following Naya's death in 1882, his studio was run by his wife, then by her second husband. In 1918 it was closed and publisher Osvaldo Böhm bought most of Naya's archive. The present photograph has Osvaldo Böhm's ink stamps on the reverse.
Though the Fra Mauro photograph is mentioned in a number of books on Carlo Naya and others on early Italian photography, we can find no extant examples having come through the market. We cannot find any examples in OCLC or other institutional databases. We did, however, find a reference to two examples in the Royal Geographical Society (London) and Biblioteca Nazionale Marciana.
Edward Luther Stevenson was among the most important scholars of early cartography active at the end of the 19th century and the first half of the 20th. He was responsible for numerous cartobibliographic books, including the first translation of Ptolemy to English, as well as a series of impressive facsimile maps produced while he was at the Hispanic Society of New York. Dr. Stevenson viewed facsimiles as integral to the study of early cartography, and he committed himself to building an unparalleled collection of photographs of early maps and globes. Much of his collection was donated to Yale University after his death (click on the title link above for about that), but the present item comes from a large collection of photos, manuscripts, and related material that were part of Stevenson's library, but were not donated to Yale. It is truly an impressive collection and many of the items, though reproductions, have serious antiquarian merit. As Alexander O. Vietor said about Stevenson collection that went to Yale "this is the stuff of which great libraries are made."