Rare pictorial map locating Indian Tribes throughout the United States and Alaska, with additional vignette giving historical facts of interest for Native American and Western American history.
As noted by Rumsey:
Louise E. Jefferson, the daughter of a calligrapher for the United States Treasury Department, was encouraged to draw from a young age. Her father taught her his craft at home and she later studied fine and commercial art in private lessons and at Howard University. She moved to New York to continue her education at the School of Fine Arts at Hunter College. In Harlem, Jefferson came in contact with other African-American artists and in 1935 she was a founding member of the Harlem Artists Guild, a program sponsored by the Works Progress Administration. A freelance job with the National Council of Churches' publishing operation, Friendship Press, led to a full-time position. Jefferson eventually became the press's art director. Jefferson was perhaps the first African-American woman to hold such a position in the publishing industry. Jefferson freelanced for major publishing houses, such as Viking and Doubleday, throughout her career. She was known as a designer of both skill and artistry.
The following Biography is excerpted from the Tulane University website:
Jefferson was born in Washington, D.C. in 1908 . . . the only child of Louise and Paul Jefferson. Her father was a calligrapher for the United States Treasury, and her mother made a living playing piano and singing aboard cruise ships on the Potomac River. . .
Louise began her training at Hunter College in New York City where she studied fine art, and then on to Columbia University where she studied graphic arts. During her time in New York City, Jefferson became involved with the Harlem Artist’s Guild, and is credited as a founding member. She was an active member of the artistic community during the Harlem Renaissance, and she became close friends with poet Langston Hughes, and shared an apartment with Pauli Murray, who would become an influential activist, lawyer, and priest.
At the start of her career, Jefferson designed posters for the YWCA in New York City, until she was discovered by the Friendship Press, the publishing branch for the National Council of Churches. By 1942, Jefferson was the Artistic Director for the Friendship Press and she had control of every aspect of the Press’s book productions. While working for Friendship Press, Jefferson also accepted freelance work from publishing companies Doubleday, Macmillan, and Viking, and also from the University presses of Columbia, Oxford, Rutgers, and Syracuse. Jefferson would retire from the Friendship press in 1960, but she remained busy designing book jackets and maps for publishing companies and Universities.
Once retired, Jefferson set her sights on the most ambitious project of her life. Over the course of several years, Jefferson made five trips to Africa to do research for what would become her book, The Decorative Arts of Africa. She travelled the continent extensively, visiting Cameroon, the Democratic Republic of the Congo, Egypt, Gambia, Ghana, Guinea, Liberia, Mali, Niger, Nigeria, Senegal, South Africa, Sudan, Uganda, and Zimbabwe. Jefferson used her photographs and drawings from her adventures to create The Decorative Arts of Africa, which was published in 1973. Containing over 300 illustrations, Louise describes her book “as a visual sampling of what the spirit and tempo of the African artist’s role has been in the past and what it continues to be today.”
In her later years, Jefferson settled down in the picturesque town of Litchfield Connecticut, where she maintained an art studio and could always be found with her beloved camera, ready to capture a photo at a moment’s notice. She spent the last few years of her life tending to her garden, entertaining friends, and taking snapshots around Litchfield. Louise Jefferson passed away in 2002 at the age of 93.