One of the Most Important Early World Maps Bound in a Collection of New World Travels
With a Lengthy Introduction by Sebastian Münster
This Edition With the Addition of Cortés's 2nd & 3rd Letters
A landmark in the visual history of global exploration, the Münster-Holbein remains one of the most imaginative and compelling world maps of the sixteenth century. Originally issued in 1532 to accompany the Novus Orbis Regionum edited by Johann Huttich and Simon Grynaeus, the map was printed from a large woodblock likely designed by Sebastian Münster himself, then a professor of Hebrew at Basel and already active in cosmographic publishing. The border decoration is frequently attributed to Hans Holbein the Younger, who was working in Basel at the time of publication before his return to England.
The present impression conforms with issue points for the 1555 state of the map per Dr. Belcher's unpublished study. This was printed from the same original block, which was never re-cut.
The map is drawn on an oval projection, closely related to that of Benedetto Bordone, with meridians and parallels forming a neat 10-degree graticule. Geographically, the sheet reflects a transitional moment between Ptolemaic tradition and modern discovery. Münster incorporates Iberian sources for the New World, naming America, Terra Nova, and Prisilia, but the Pacific Ocean remains largely speculative, with a lone Zipangri (Japan) off the west coast of an inchoate North America labeled Terra de Cuba.
Africa has been reshaped in light of Portuguese coastal intelligence, including the Gambia and Niger rivers, a correctly positioned Cape of Good Hope (Caput bonae spei).
Asia is marked by enduring medieval and classical divisions: India intra Gangem, India extra Gangem, Regnu Cathay, Tartaria Magna, and a vaguely outlined Mare Caspiu[m]. Marco Polo’s legacy still defines much of the eastern geography, while the influence of Apian’s 1520 world map and the Schöners’ globe gores is detectable in the general layout.
Surrounding the projection is one of the most elaborate decorative programs of any early printed map, combining allegory, natural history, and ethnographic fantasy. In the upper left, an elephant and serpents appear alongside human figures in scenes of hunting and attack, evoking Plinian marvels and exotic fauna associated with Africa and the East. At the opposite corner, the vegetal bounty of the East Indies is represented through labeled depictions of spice plants, including pepper (Piper), nutmeg (Muscata), and cloves (Gariofili), a clear allusion to the commercial stakes of early modern exploration. The lower border is dominated by scenes drawn from contemporary travel accounts. At the left, a vivid tableau of cannibalism, complete with dismembered bodies, roasting spits, and a grisly “larder” tree, derives from Vespucci’s widely circulated Mundus Novus. At lower right, the figure labeled Vartomannus, staff in hand, refers to Ludovico di Varthema, the Bolognese traveler whose detailed itinerary of India and Southeast Asia, published in 1510, was among the most influential travel narratives of the time.
Most suggestively, the angels turning the globe on its axis may allude to Copernican ideas already circulating in Basel’s humanist and astronomical circles before the formal publication of De revolutionibus in 1543. Although Münster does not depict a heliocentric cosmos, the image hints at a world increasingly understood as dynamic, measurable, and subject to revision. This map, both in content and ornament, captures a critical moment when inherited geography was giving way to empirical discovery and new cosmological speculation.
About the Book
One of the earliest collections of voyages, originally published in 1532, compiled by Johann Huttich, with a preface by Simon Grynaeus (to whom the work is sometimes erroneously attributed), containing the voyages of Columbus, Cadomosto, Vespucci, Cabral, and part of the Fourth Decade of Peter Martyr, as well as additional non-American voyages.
Notably, the present edition adds important accounts not found in earlier editions, including Cortes's 2nd and 3rd letters, as well as the narratives of Juan Zumárraga's and Martin de Valencia.
Huttich's geography is an important very early collection of New World material that includes accounts of Columbus's voyages, and other voyages initiated by Spain and Portugal.
This book stems from the German-speaking, Protestant intellectual milieu that produced other important early geographical publications. Indeed, the volume opens with Sebastian Münster's 12-page description of the world map that was intended to accompany this book (*-*6), with directions on its use.
Johann Huttich (1490-1544) was able to access accounts of early Spanish and Portuguese voyagers to America while in Madrid as part of the embassy associated with Charles V's election as Holy Roman Emperor. Included herein are the three voyages of Columbus, as well as those of Vespucci, Pedro Alonso Niño, Vicente Yánez Pinzón, Pedro Alvares Cabral, and Alvise Cadamosto. In addition to the Portuguese discoveries in Brazil and the East, Huttich incorporates accounts of Marco Polo, and material collected by Peter Martyr. There are also numerous accounts of other European voyages. Huttich's work is one of the earliest to bring together in a single volume a number of otherwise extremely rare contemporary accounts of the earliest explorers, some of which are virtually unobtainable.
In addition to several handsome woodcut capitals, there are two woodcuts in the text, including an illustration of a snake wrapped around a tree (page 21) and a version of Vespucci's triangle (page 93), here in a cosmographic diagram representing the earth's sphericity. S. Leitch has written on Vespucci's diagram and its influence on the emerging field of cosmography.
Vespucci’s diagram was brought into the orbit of astronomic notation where it helped the viewer to visualize cosmographic principles. The itinerary of this triangle in early 16th century print culture tracks the merging of diagrammatic thinking of astronomical propositions with other genres in the nascent field of cosmography - S. Leitch, Vespucci's Triangle and the Shape of the World (2010).
The printer's device of Johann Herwagen (d. 1558) appears on the title page: a three-headed Hermes holding a caduceus, and on the side of the column may hang the head of John the Baptist, as an allusion to Herwagen's forename. The printer's device was repeated on the verso of the final leaf (lacking here).
The significance of this edition has been pointed out by Americanists, going back to Sabin:
This edition contains, besides the matter of the first, also four supplementary pieces, including the second and third letters of Cortes - Sabin.
Contents of the volume here follows:
- Prefatio Simonis Grynaei ad Collimitium. Preface by Simon Grynaeus.
- Typi Cosmographici et Declaratio et usus, per Sebastianum Munsterum. ([12] pages). Introduction by Sebastian Münster.
- Aloysii Cadamusti navigatio ad terras ignotas, Archangelo Madrignano interprete. Account of Alvise Cadamosto (c 1432-1488), Venetian explorer and trader. Woodcut of snakes and bird (page 31)
- Navigatio Christophori Columbi, qua multas regionis hactenus orbis incognitas inuenit, inventasque Hispaniae rex coli jussit & frequentari
- Navigationvm Alberici Vespvtii epitome. Woodcut of Vespucci's triangle
- Rervm Memorabilivm Calechvt, qvae non svnt absimiles illis quas Petrus Aliares secundo & altero tractatu scripsit...
- Qvomodo Iosephvs Indvs Venit vlisbonam, et exceptvs a regehonorifice
- Americi Vespvtii Illvstrissimo Renato Hiervsalem et Siciliae regi, duci Lothoringiae ac Barñ. Americus Vesputius humi lem reuerentiam, & debitã recommendationem
- Lvdovici Romani patritii navigationis Aethiopiae, Aegypti, Utriusque, Arabiae, Persidis, Syriae, Indiae intra & extra Gangem, liber primus, Archangelo Madrignano interprete
- Locorvm Terrae Sanctae exactissima descriptio, avtore F. Brocardo Monacho
- Marci Pavli Veneti de regionibvs orientalibvs. Marco Polo
- Haithoni Armeni ordinis praemonstratensis de Tartaris Liber
- Mathiae a Michov de Sarmatia Asiana atqve Evropea, Libri Dvo
- Pavli Iovii Novo Comensis de Legatione Moschovitarvm libellus, ad Ioanne Rusum Archiepiscopu Consentinu
- Petrvs Martyr de Insvlis nvper repertis, et de moribus incolarum earundem
- Erasmii Stellae Libonothani de Borvssiae Antiqvi Tatibvs Liber Primvs
- Ferdinandi Cortesii in Secundam de Nova Maris Oceani Hispania narrationem ad Carolum V. Romanoru Imperatorem, Praefatio. Cortes's Second Letter. (pages 537-598)
- Tertia Ferdinandi Cortesii Narratio. (pages 602-665)
An attractive and very clear example, in a nicely restored early binding, of the complete text of this important collection of New World voyages.
Sebastian Münster (1488-1552) was a cosmographer and professor of Hebrew who taught at Tübingen, Heidelberg, and Basel. He settled in the latter in 1529 and died there, of plague, in 1552. Münster made himself the center of a large network of scholars from whom he obtained geographic descriptions, maps, and directions.
As a young man, Münster joined the Franciscan order, in which he became a priest. He then studied geography at Tübingen, graduating in 1518. He moved to Basel, where he published a Hebrew grammar, one of the first books in Hebrew published in Germany. In 1521 Münster moved again, to Heidelberg, where he continued to publish Hebrew texts and the first German-produced books in Aramaic. After converting to Protestantism in 1529, he took over the chair of Hebrew at Basel, where he published his main Hebrew work, a two-volume Old Testament with a Latin translation.
Münster published his first known map, a map of Germany, in 1525. Three years later, he released a treatise on sundials. In 1540, he published Geographia universalis vetus et nova, an updated edition of Ptolemy’s Geographia. In addition to the Ptolemaic maps, Münster added 21 modern maps. One of Münster’s innovations was to include one map for each continent, a concept that would influence Ortelius and other early atlas makers. The Geographia was reprinted in 1542, 1545, and 1552.
He is best known for his Cosmographia universalis, first published in 1544 and released in at least 35 editions by 1628. It was the first German-language description of the world and contained 471 woodcuts and 26 maps over six volumes. Many of the maps were taken from the Geographia and modified over time. The Cosmographia was widely used in the sixteenth and seventeenth centuries. The text, woodcuts, and maps all influenced geographical thought for generations.