This view, apparently drawn from the Villa Opicina area, captures the town and harbor, with the Slovenian and Northern Croatian coastline in the distance. It shows a panoramic view of the Adriatic port city of Trieste, with the city’s vibrant maritime activity and its strategic location as a key port of the Austrian Empire. The artwork, rich in detail and color, conveys a sense of urban prosperity and regional importance during the mid-19th century.
In the foreground, the composition highlights a bustling harbor area, including warehouses with red-tiled roofs and open courtyards, likely used for storage and trade. Several sailing ships are moored at the docks, while others traverse the calm waters of the Adriatic. This maritime activity underscores Trieste’s role as a hub of commerce and naval significance, connecting Central Europe to Mediterranean trade routes.
The mid-ground reveals the city of Trieste itself, with its orderly rows of buildings rising toward the hills. The architecture reflects the neoclassical style prominent in the Austrian Empire, showcasing the city's blend of cultural influences. Above the city, the fortified hilltop castle of San Giusto is prominently displayed, a historical symbol of the city’s strategic importance and its deep roots in European history.
Printed and published by Giovanni Mollo in Trieste, the view is the work of the painter Luigi D'Annibale Manzoni and was engraved by the well regarded artist and printmaker Eduard Gurk of Vienna.
Rarity
The view is of exceptional rarity.
We were unable to locate any other recorded examples.
Eduard Gurk was an Austrian landscape painter and printmaker celebrated for his masterful watercolors and his service as court painter to the Habsburg Emperors Francis I and Ferdinand I.
Born in Vienna on 17 November 1801, Eduard Gurk was introduced to the world of art by his father, Joseph Ignaz Gurk (1773–1835), a prominent painter and curator of Nikolaus II, Prince Esterházy’s art gallery and library. As a child, Gurk accompanied his parents on a journey through Northern Europe, which culminated in England. There, he first encountered the techniques of watercolor painting, which would later define his artistic career. Upon returning to Vienna in 1819, he enrolled at the Academy of Fine Arts, where his artistic talent quickly garnered attention. His first exhibition was held in 1822, marking the beginning of a distinguished career.
In 1823, Gurk and his father collaborated on a landmark publication featuring 80 hand-colored engravings of Viennese monuments and architecture. This work not only showcased his artistic skill but also established his reputation, earning him the patronage of Klemens von Metternich, one of Austria’s most influential statesmen.
Through Metternich’s support, Gurk became the chief assistant to Johann Baptist Hoechle (1754–1832), the court painter to the Habsburgs. In this role, he traveled extensively with members of the imperial family, including Archduke John of Austria and Crown Prince Ferdinand. Gurk documented their journeys and significant events, such as Ferdinand’s coronation as King of Hungary in 1830, which he memorialized in an album of scenes that captured the pomp and pageantry of the ceremony.
After Hoechle’s death in 1835, Gurk was appointed court painter to Emperor Ferdinand I. He continued his extensive travels, creating watercolors that chronicled the emperor’s pilgrimages and other notable events. Among his works were depictions of Ferdinand’s pilgrimage to Mariazell, which he collaborated on with Johann Nepomuk Hoechle, Johann Baptist’s son.
In 1840, Gurk embarked on a voyage to the Middle East as part of an Austrian naval expedition led by Rear Admiral Francesco Bandiera. Disembarking at Beirut, Gurk journeyed along the Levantine coast, documenting the exploits of Archduke Friedrich, a recipient of the Military Order of Maria Theresa. However, during his visit to Jerusalem, Gurk fell ill with typhoid fever, likely exacerbated by the arduous voyage. He succumbed to the illness on 31 March 1841, just three days after arriving in the city.