Map of Africa with the Latest Discoveries.
This mid-19th century map of Africa provides a detailed portrayal of the continent as understood by European cartographers up to 1841. It reflects the growing European interest in African exploration, commerce, and eventual colonization, highlighting territories, trade routes, and significant geographical features such as rivers, mountains, and deserts. The map's boundaries are delineated with color-coded outlines representing various regions and political divisions, although many areas, particularly in the interior, remain vaguely defined, indicative of the limited extent of European exploration at the time.
The map captures the extensive and varied topography of Africa, illustrating the Sahara Desert in the north, the dense jungles of Central Africa, and the highlands of the east, including Abyssinia (modern-day Ethiopia). Major rivers such as the Nile, Niger, Congo, and Zambezi are prominently featured, although their complete courses were often speculative, reflecting the exploratory gaps that persisted up to the mid-19th century.
The map also includes the names of numerous indigenous tribes and kingdoms, such as the Ashanti in West Africa, the Zulu in the south, and the Oromo in the east, indicating areas of significant cultural and political organization. However, the understanding of these societies was often filtered through the colonial lens, which sometimes misrepresented or simplified complex social structures.
This map identifies several key African tribes and kingdoms, reflecting the diversity of the continent’s indigenous societies. In West Africa, the Kingdom of Ashanti (Asante) is noted, a powerful state known for its wealth, trade, and military strength. Along the Niger River, the map mentions the Kingdom of Benin and the Yoruba people, both central to the region’s cultural and economic life. In Central Africa, the Luba and Lunda empires are referenced, highlighting the complex political landscapes that existed independently of European influence.
In East Africa, the map details the Kingdom of Abyssinia, long known to Europeans through its Christian heritage and resistance to external domination. It also marks the Oromo people, who significantly shaped the history and demographics of the region. In Southern Africa, the Zulu Kingdom under King Shaka is highlighted, representing the significant socio-political transformations driven by Zulu military expansion in the early 19th century.
The 19th century was marked by a series of explorations by European adventurers and scientists who ventured into the largely uncharted interiors of Africa. Notable explorers whose efforts are contemporaneous or precede this map include Mungo Park, who traced part of the Niger River in the late 18th and early 19th centuries, and Richard Lander, who in the 1830s confirmed the course of the Niger River to its delta. These explorations significantly expanded European knowledge of West Africa and its river systems.
Rene Caillié, a French explorer, made a groundbreaking journey to Timbuktu in 1828, becoming the first European to return alive from the fabled city. Caillié's expedition was motivated by the French Société de Géographie's prize for reaching Timbuktu, a city long shrouded in mystery and often depicted as a place of immense wealth. Starting his journey in 1827 from Boké on the coast of present-day Guinea, Caillié traveled through the interior disguised as a Muslim, relying on local guides and his knowledge of Arabic to navigate through dangerous and unfamiliar territories. He reached Timbuktu on April 20, 1828, where he stayed for two weeks, documenting the city’s culture, architecture, and trade networks.
Caillié’s observations dispelled many myths about Timbuktu, revealing it as a modest trading center rather than the opulent city of gold often imagined by Europeans. His detailed accounts and maps provided crucial insights into the geography and culture of the region, which were incorporated into subsequent maps of Africa, including this one. Caillié’s journey concluded when he reached Morocco in August 1828, completing a monumental trek across the Sahara Desert to reach Tangier and then France. His publication, Journal d'un voyage à Temboctou et à Jenné dans l'Afrique Centrale, was a landmark in European exploration literature and significantly influenced subsequent explorations.
The map highlights the growing colonial influence along Africa's coasts, with territories marked under British, French, Portuguese, and Dutch control. Trading posts and forts, such as those along the Gold Coast and the Slave Coast, are clearly noted, underscoring the legacy of the transatlantic slave trade and the ongoing European economic interests in the region. The interior, marked with indigenous states and loosely defined regions, reflects a mix of European aspirations and indigenous sovereignties.
James Wyld Sr. (1790-1836) was a British cartographer and one of Europe’s leading mapmakers. He made many contributions to cartography, including the introduction of lithography into map printing in 1812.
William Faden, another celebrated cartographer, passed down his mapmaking business to Wyld in 1823. The quality and quantity of Faden’s maps, combined with Wyld’s considerable skill, brought Wyld great prestige.
Wyld was named geographer to Kings George IV and William IV, as well as HRH the Duke of York. In 1825, he was elected an Associate of the Institution of Civil Engineers. He was one of the founding members of the Royal Geographical Society in 1830. Also in 1830, his son, James Wyld Jr., took over his publishing house. Wyld Sr. died of overwork on October 14, 1836.
James Wyld Jr. (1812-87) was a renowned cartographer in his own right and he successfully carried on his father’s business. He gained the title of Geographer to the Queen and H.R.H. Prince Albert. Punch (1850) described him in humorous cartographic terms, “If Mr. Wyld’s brain should be ever discovered (we will be bound he has a Map of it inside his hat), we should like to have a peep at it, for we have a suspicion that the two hemispheres must be printed, varnished, and glazed, exactly like a pair of globes.”