This composite plate, produced by Prideaux John Selby in the early 19th century as part of his Illustrations of British Ornithology, features seven different species of birds, each positioned on small branches or rocks, emphasizing their distinctive shapes and plumage. The plate includes the following species (identified by the small legend on the lower portion of the image): Nightingale, Redbreast, Redstart, Greater Tit-Phylloscopus, Black Cap, Dartford Warbler, and Greater White Throat. Each bird is delicately engraved and colored, highlighting the fine textures of their feathers and their unique coloring. The artistic arrangement of the birds on this plate creates a sense of diversity and movement, showcasing Selby’s ability to combine scientific detail with visual harmony.
Biology and Distribution:
- Nightingale (Luscinia megarhynchos) – A migratory bird known for its powerful and beautiful song, found in Europe and parts of Asia.
- Redbreast (Erithacus rubecula) – Also known as the European Robin, this small bird is commonly found in gardens and woodlands across Europe.
- Redstart (Phoenicurus phoenicurus) – A migratory species that breeds in Europe and western Asia, recognizable by its orange-red tail.
- Greater Tit-Phylloscopus (Phylloscopus trochilus) – Known for its melodic song, this species is commonly found in woodlands throughout Europe and Asia.
- Black Cap (Sylvia atricapilla) – Found in Europe, this small warbler is known for its distinctive black cap on males.
- Dartford Warbler (Sylvia undata) – A resident warbler primarily found in western Europe, especially heathlands.
- Greater White Throat (Sylvia communis) – A widespread summer visitor to Europe, easily identified by its white throat and chattering song.
Selby’s Illustrations of British Ornithology
Prideaux John Selby’s Illustrations of British Ornithology, published between 1821 and 1834, is one of the most significant works in 19th-century ornithological literature. Selby, an English naturalist and artist, produced a two-volume set that featured life-sized depictions of British birds, a departure from earlier works that used smaller formats. His background as both a scientist and an artist allowed him to render birds with remarkable accuracy and beauty.